Uman: Cordes Sensible
Uman: אש אנושית
Uman: Human
Frank Harris & Maria Marquez – Ethnocity
Welcome to Ethnocity 🤲 from Frank Harris & Maria Marquez's new 12" release 'Echoes', featuring a collection of songs dating back to 1985, including the scarce 'Canto Del Pilon' 7" single, as well as previously unreleased tracks and alternate mixes,
out soon on the ace New Zealand label Strangelove Music: https://strangelovemusic.bandcamp.com/
https://www.facebook.com/Strangelovemusicltd/
https://www.facebook.com/groups/VISIONS.group/
https://www.facebook.com/containyrbrain.blog/
https://soundcloud.com/containyrbrain/
http://containyrbrain.blogspot.com/
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out soon on the ace New Zealand label Strangelove Music: https://strangelovemusic.bandcamp.com/
https://www.facebook.com/Strangelovemusicltd/
https://www.facebook.com/groups/VISIONS.group/
https://www.facebook.com/containyrbrain.blog/
https://soundcloud.com/containyrbrain/
http://containyrbrain.blogspot.com/
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John Voll [USA] – b_5. Love For You.
Lp: Lady In the Window, 1977 - KM label.
Rod Neep [UK] – a_5. Fire and Rain.
Lp: Heading For the Sun, 1973 - Folk Heritage.
Jimmer Glynn – A2. Storm In The Night
Jimmer Glynn – 19?? Jimmer Glynn (Us Private, Folk rock)
Rare, original late 1960's or early 1970's U.S. album. For Rock-Psych and Private Press fans, this is a frankly amazing and apparently completely-unknown LP credited to "Jimmer Glynn," who sounds like a solo artist but could be a group. Sound is gorgeous, melodic, post-psychedelic rock in the vein of Badfinger circa "No Matter What" and "Day After Day," Paul McCartney songs like "Come & Get It," early Todd Rundgren and Emitt Rhodes. All tracks appear to be originals except for a cover of The Beatles' "Yesterday" -- whoever Jimmer Glynn is/was, he definitely loved The Beatles and McCartney in particular. Songwriting, vocals and musicianship are all first-rate; a number of the song arrangements are quite complex, esp. for a private press LP that was released on an almost-unknown label, w/ no information on the front or back cover about the artist.
Rare, original late 1960's or early 1970's U.S. album. For Rock-Psych and Private Press fans, this is a frankly amazing and apparently completely-unknown LP credited to "Jimmer Glynn," who sounds like a solo artist but could be a group. Sound is gorgeous, melodic, post-psychedelic rock in the vein of Badfinger circa "No Matter What" and "Day After Day," Paul McCartney songs like "Come & Get It," early Todd Rundgren and Emitt Rhodes. All tracks appear to be originals except for a cover of The Beatles' "Yesterday" -- whoever Jimmer Glynn is/was, he definitely loved The Beatles and McCartney in particular. Songwriting, vocals and musicianship are all first-rate; a number of the song arrangements are quite complex, esp. for a private press LP that was released on an almost-unknown label, w/ no information on the front or back cover about the artist.
Montana Fintlock – A4. Down By The Riverside.
Montana Flintlock - 19?? Montana Flintlock (Private)
Montana Flintlock were a New Jersey-based folk rock band who were formed from the ashes of 1910 Fruitgum Company by Floyd Marcus, Pat Karwan and Steve Mortkowitz. They were signed by Mike Appel (trading as Laurel Canyon Ltd), who had just started to manage another New Jersey-ite, Bruce Springsteen, who occasionally jammed with Pat Karwan in the local clubs. Appel managed to get Springsteen signed to Columbia, who were also briefly interested in signing Montana Flintlock before changing their minds. Undaunted, Appel recorded an album with them that was produced by the Leiber Stoller duo. He then tried to place the LP with a British label – specifically DJM, who of course had just made Elton John into a star. Unfortunately the Montana Flintlock album didn’t come out, but it did get to test pressing stage .
THE MUSIC: Superb West Coast-sounding folk rock in the vein of Buffalo Springfield or CSNY,
Montana Flintlock were a New Jersey-based folk rock band who were formed from the ashes of 1910 Fruitgum Company by Floyd Marcus, Pat Karwan and Steve Mortkowitz. They were signed by Mike Appel (trading as Laurel Canyon Ltd), who had just started to manage another New Jersey-ite, Bruce Springsteen, who occasionally jammed with Pat Karwan in the local clubs. Appel managed to get Springsteen signed to Columbia, who were also briefly interested in signing Montana Flintlock before changing their minds. Undaunted, Appel recorded an album with them that was produced by the Leiber Stoller duo. He then tried to place the LP with a British label – specifically DJM, who of course had just made Elton John into a star. Unfortunately the Montana Flintlock album didn’t come out, but it did get to test pressing stage .
THE MUSIC: Superb West Coast-sounding folk rock in the vein of Buffalo Springfield or CSNY,